Skip to content

VINCENT DERMODY­

Born: 1973, Chicago, IL

 

EDUCATION

2008                

MFA, University of Illinois at Chicago, Chicago, IL

1996

BFA, The School of the Art Institute, Chicago, IL

 

SOLO SHOWS

2019

Nervous Service, 65grand,  Chicago, IL

2018

What Burns Never Returns, Mountain Gallery, Brooklyn, NY

2011

Unretouched: Proof, The Storefront, Chicago, IL

2010

Dick Dermody’s Invincible, Heaven Gallery, Chicago, IL

2003

You’re Still Under 30, Suitable Gallery, Chicago, IL

2001

33 Jobs, T.B.A. Exhibition Space, Chicago, IL

 

TWO-PERSON SHOWS

2016

Time and Material: Joseph Dolinsky and Vincent Dermody, Shrine Gallery, New York, NY

 

SELECT GROUP SHOWS

2019

Chromatic Reveries, NARS Foundation, Brooklyn, NY

Norman x Brask Art Collection, Normann Copenhagen, Denmark

2018

Meisenfloo, curated by Michael Bauer, Norma Mangione Gallery, Turin, Italy

Skip Salvage, Rata Projects, New York, NY

Reunion, curated by Josh Reames, Andrew Rafacz Gallery, Chicago, IL

2016

Twelfth Show: Abstraction, EDDY’S ROOM, Brooklyn, NY

2015

I Amaze Myself, Common People, Brooklyn, NY

Robert Davis feat. Law Office Presents, Anonymous Gallery, Mexico City, Mexico

2014

CEMETARIUM, Regina Rex Gallery at Emerson Dorsch Gallery, Miami, FL

2012

The Physical Impossibility of a Hangover in the Mind of Someone Drinking, Hills Esthetic Center

2011

Eraser, curated by Rachel Furnari, Magnan Metz Gallery, New York, NY

Brief Histories, curated by Fawz Kabra and Isak Berbic, University of Sharjah, UAE

Heads on Poles, curated by Scott Wolniak and Paul Nudd, Western Exhibitions, Chicago, IL 

2008

MFA Thesis Exhibitions, Gallery 400, Chicago, IL               

Various Photographs, curated by Tim Barber, New York Photo Festival, NY

Fun Gun, curated by Brad Troemel, Satan Satin Gallery, Chicago, IL

2006                

The World Is Flat, Galerie Lifebomb, Berlin, Germany

Tiny Vices, curated by Tim Barber, Studio Bee, Tokyo, Japan

2005                

New American Talent 18, curated by Dominic Molon, Arthouse at the Jones Center for Contemporary Art, Austin, TX

2003                

Pretend TV, curated by Kirsten Stoltmann, La Panadería, Mexico City, Mexico

1999                

Art 1999 Chicago, Galleri Andreas Brändström, Stockholm, Sweden

A&E, Chicago Project Room, Chicago, IL

2001

Hot Sauce, curated by Law Office, T.B.A. Exhibition Space, Chicago, IL, Diverse Works, Houston, TX

 

SELECT CURATED SHOWS

2015                

Bitches Brew: Bastard: Son of Hot Sauce: Gracie Devito, Hannah Lees, and Dawn Kasper, Law Office, Newd Art Show, Brooklyn, NY

2003                

Fountain of Youth, Law Office, Locust Projects, Miami, FL

2002                

Gentle On My Mind, Law Office, Chicago, IL

Bastard: Son of Hot Sauce, Law Office, Chicago, IL

1999

Ten White Male Painters Paint the Same Painting, Rainbo Club, Chicago, IL

 

SELECT PERFORMANCES

2011

The Writing Machine, The Poetry Project at St. Mark’s Church, New York, NY

1999                

Lucky Pierre, Swiss Institute, Rome, Italy

1998                

I (re) Married Wyatt Earp, Lucky Pierre, Chicago, IL

1996                

No No I Was Sleeping You Know, Lucky Pierre, Chicago, IL

 

RESIDENCIES

2008                

Chicago Cultural Center, Chicago Dept. of Cultural Affairs, Chicago, IL; (Artist-in-Residence, July-August)

 

PRESS

2019

Sujata, Burman. “Normann Copenhagen’s abstract new range has an artful twist.” Wallpaper, http://tinyurl.com/y694h4ho

2018

BRIC TV, Interview with Vincent Dermody, Bric Arts Media, https://youtu.be/My_T1KbMxms?t=1322

2008

Furnari, Rachel. “Profile of the Artist: Vincent Dermody” New City. 7-3-08, p.15

2004      

Moreno, Gene. ”Fountain of Youth (Law Office Interview)” The Breeder Magazine. Athens, Greece

2003

Yood, James. ”You’re Still Under 30.”Artforum, October. p.176       

Cotter, Holland. “Presents for the viewer, not all of them kindly.” The New York Times, 2-7-03

Ocana, Damarays. “Law & Disorder.” Miami Herald, 1-26-2003.  Arts p.2

2000            

Erickson, Karl. “A&E.” Flash Art. May-June 2000. p.74